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Frinna Awerbuch
Competition
2006 Winners
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Question and Answers

Frequently Asked Questions

Do I need to submit a recording with my application?

No, we do not have an initial round judging recorded music.  Our auditions are live in New York City, not via CDs.  That is, you need to travel to New York for the first round of auditions.


 

 

Does the competition recommend any hotels in New York?

There are a great many hotels in New York City that are either in mid-town Manhattan or near public transit such as the subway. Many of these have special weekend and/or internet rates that you will find on the internet. We do not have a list of preferred hotels. The internet rates tend to be lower than any rates we could negotiate for a block of rooms.



 

Where do I go on the date and near the time of my audition?

All auditions, semi-finals and finals are at the same location: Steinway Hall,109th West 57th Street in New York City. Please come to Steinway Hall at least 30 minutes before your scheduled audition. You will come to the second floor (the stairs are immediately before you as you enter the building at 109 West 57th Street) and turn to your right. Please check in upon your arrival with the organizing committee person whose desk is usually a few feet down the corridor. There are facilities for changing into your performance clothes and the committee person will take charge of your street clothes while you perform. Valuables such as purses, etc. should be given to Beverly, the Competition Director, and she will take them into the performance room with you.



 

Will I have time to practice before the audition?

We shall have at least one warm-up room with a piano to assure each competitor 15 minutes of warm-up time just before their audition time. On occasion, there are other practice opportunities at Steinway Hall but these are assigned primarily to increase the warm-up time just before the audition from 15 to 30 minutes. Therefore you should contact anyone you know in New York area who may be able to get you practice time. Anyone who will be coming to New York from overseas and has no contacts in the New York area should contact the Director (by email) and we shall try to find a practice location.



 

What is the format of the audition?

You select the first piece from your repertoire to play to start the audition.  After a minute or two or three, the judges will ask to hear anything they choose from your submitted repertoire.  It could be the 2nd movement of a Sonata as likely as the 1st.  Then they'll request a third piece, and so on.




Do I play to same repertoire in all three rounds: audition, semi-finals and finals?
You are responsible for your entire submitted repertoire during the auditions and the semi-finals.  Usually during the semi-finals, the judges will ask for pieces from your submitted repertoire that they did not hear in the auditions.  In the Finals you may design a program using pieces from your submitted repertoire or any other piece(s) you have by memory.  That is, the Finals offer an opportunity for you to showcase your musicianship in the way you think best.

 

May I change my repertoire? What is the last date I may make the change?
Competitors may change repertoire at any time, right up to the day of the audition. However, the competition director must approve any change as being within the rules. IT IS BEST TO INFORM THE DIRECTOR BY EMAIL AS SOON AS YOU KNOW YOU WISH TO CHANGE THE REPERTOIRE.

 

May I request a specific time and date for my audition?
You are welcome to request a specific date and the competition will try to accommodate you. It is best to describe why you need special attention. Note that the Friday date on the second weekend is reserved primarily for competitors who need to fly into New York for their auditions.

 

Must one bring copies of the music in the audition program? If so, how many? Original music or Xerox?
If you have chosen a piece that may not be familiar to all the judges, please bring a copy. For example, the judges usually know the eighteenth and nineteenth century repertoire, and the better-known twentieth century pieces. But should you choose a twentieth or twenty-first century piece that might not be familiar, please bring a copy, either printed or a photocopy. Of course, you are most welcome to bring music for your warm-up; during the actual audition, all pieces must be memorized.

 

When will we receive our notification of the semi-finalists?
The jury will select semi-finalists from those entrants who audition on Saturday and Sunday, October 14 and 15, on the evening of October 15. We shall immediately start informing all the entrants from that first weekend whether or not they have to return to Steinway Hall on Saturday, October 21. Semi-finalists will be told their performance times so that they may make their travel and lodging arrangements. Anyone not selected will know that their weekend of October 21 and 22 is free. If you are an entrant auditioning on October 14 and 15 and have not heard from us by the evening of Monday, October 16, please call 908-654-1036 since that will mean that we have not been able to reach you.

Friday is the most full day of the competition with our international and long-distance entrants scheduled. We expect that the auditions will be over by 5 pm and the judges' conference around 6 pm. We shall immediately notify the semi-finalists, and then all the Friday entrants so that no one need wait around longer than necessary for the news. This could easily take until 8 pm Friday. If you have not heard from us by 9 or 10 pm Friday, please call 908-654-1036 since that will mean that we have not been able to reach you.

 

At what time on the second Saturday, October 21, will we receive our notification of the finalists?
The semi-finals on the second Saturday are 20 minutes of your submitted program as requested by the judges. We will scheduled times so that those entrants who must travel to New York from places as distant as Rochester, Boston and Washington, DC are scheduled last. The judges in past years have been kind enough to allow us to schedule such long-distance travellers late in the afternoon. It is possible that the finalists will not be known until 6 pm, possibly a little later.

 

When do the finals begin on the second Sunday, October 22?
The Finals on the second Sunday are 30 minute public recitals of a program of your choice. We cannot confirm the starting time yet but expect that the Finals will begin around 1:00 p.m. After the performances, we recognize the judges and announce the winners immediately after the judges' conference. We ask the finalists and the winners to remain following the announcement for photographs with the judges.

 

Who are the judges and what will they know about me?
The judges will not be identified until the announcement of winners at the end of the finals on October 21. At no time during the competition will your name or affiliation be shared with the judges. You will be introduced by number -- all the judges will know about you is your repertoire. Shortly after the finals, we shall put the names and short biographies of the winners and the judges on the website. You may see the 2004 announcements on the current website.

 

Will I get a copy of the judges' comments?
The judges are usually pleased to share their comments with you. We will send the original comment sheets to you after deleting the judge's name. We keep a copy so if you have not received the comments by mid-November, please get in touch with us and we shall send you a copy.

 

What are the Cash Prizes for the Prize Winners and are any expenses reimbursed?
The cash prizes are usually $2,000 for First, $1,600 for Second, $1,200 for Third and $800 for Fourth. A special prize of $500 will be given for the best performance of a major work by a 20th or 21st Century American Composer All semi-finalists receive $100 up to $250 (depending on the distance they have to return for the semi-finals) for expenses for the semi-finals day, and finalists another $150 for expenses on the finals day; that is, all finalists, including the prize winners, receive a minimum of $250 toward their expenses.

 

When and where is the Winners Recital?
The Winners Recital will be at Weill Hall at Carnegie Hall at 1:00 p.m. on Saturday afternoon, November 25, 2006. On-stage rehearsals will be from 10:00 a.m. to 12:00 noon. Each winner will be assigned a rehearsal time. Enter through the Carnegie Hall Stage Door at 161 West 56th Street and check in with Security a few minutes before your rehearsal time. Take the elevator to the Weill Hall back stage. Security may allow one or two family members or friends to accompany you backstage, but they will not be allowed in the Hall.
Anyone who wishes to take photographs on Carnegie Hall premises must get a photographer's permission pass from Carnegie Hall management during this rehearsal time. We shall arrange with Carnegie Hall to make an archival audio recording of the performance. You must get written approval from Carnegie Hall for any dissemination of this recording on a website or by any other means.

 

How does one get tickets to the Winners Recital?

The competition will provide each winner with complimentary tickets for immediate family members and up to four friends. Others will have to purchase tickets either from the competition director, from the Carnegie Hall Box Office (212-956-4070) or through the Carnegie Hall website www.carnegiehall.org after October 22. The tickets are priced at $15.00 to minimize costs to families and friends.

 

When will we have information about the winners of the competition and biographies of the judges?
We will post the names and short biographies of the winners along with the names and biographies of the judges on this website before the end of October. The program for the Winners Recital at Weill Recital Hall at Carnegie Hall will be also be posted.